Art and Life

09.11.2024 - 13.07.2025

A Selection of Paintings of Eighteen Artists
from Evliyagil and Değirmenci Collections

While this exhibition celebrates Alaattin Aksoy, Ergin İnan, Hakan Gürsoytrak, Neşe Erdok with their remarkable works, Altan Gürman, Burhan Doğançay, Cihat Burak, Eren Eyüboğlu, Fahrelnissa Zeid, Komet, Mehmet Güleryüz, Neşet Günal, Nurullah Berg, Orhan Peker, Semiha Berksoy, Şükriye Dikmen, Ömer Uluç, Yüksel Arslan, presented with their works are not among us today. 

We cannot say that we have lost these and other many artists who created Turkish Modernism and Post-Modernism in 20th century to the present, because they live on with their works and remind themselves to generations with their legacy in museums, collections, exhibitions and galleries. Does the commemoration always achieve its purpose? When seeing their works, does society question the life of the artist? How was their life, during political, economic critical periods and conditions and for what purposes they produced these paintings? Do they want to know the happy or unhappy moments, changes and turning points in the lives of these people? Should these questions be asked when looking at these works? 

When looking at the political, economic and cultural history of Turkey in the 20th century, it is actually a social responsibility to know how these artists worked, how they produced their products and how they lived their lives during these periods. This responsibility is very evident in the face of the form, content and aesthetic of their works, which are increasingly valuable as an asset of today's art and culture identity.

To highlight the life of these artists the exhibition is also presenting an illustrative interpretation about their lives, explicitly their thoughts, opinions, feelings, desires, beliefs.

This is based on the words of Leonardo da Vinci Beauty perishes in life, but is immortal in art.

From the moment artists decide to become artists - a desire that perhaps emerges even at a young age - they define why they want to produce art for a lifetime. They generally say the following:

Life as an artist is a rich and magnificent life, but also a difficult and troubled life.

Artists want to have a life as a creative person.

Art gives strength during the difficult times of life.

Art is our communication with symbols that determine and define the values and ideals of life.

Art, the highest-level of visual language; it creates symbolic interaction for life.

Art is the language of Hope. 

Art restores the broken bridge between the lives of people.

Art is a journey of self-discovery.

Art is a way of life processing the world, making sense of beauty and pain, and finding meaning in the midst of chaos. 

Art allows to express the inexpressible and gives voice to the silence.

Art is a way of sharing the life experiences of the artist with strangers whom they never know.

Art is an offer of connection, a gift of togetherness, and a promise that they are not alone in their pain.

Art is an ongoing dynamic creation of mutual meaning. If art is something that moves the viewer, it has moved the artist too.

Beral Madra, September 2024

Art is the Highest Form of Hope*
A Selection from Evliyagil Museum & PAPKO Collections

*Gerhard Richter
15.10.2022-16.07.2023

Evliyagil Museum is preparing to host the exhibition Art is the Highest Form of Hope, curated by Beral Madra, between 15.10.2022 and 16.07.2023. The exhibition, which brings together the works of 49 artists selected from the Museum Evliyagil and PAPKO collections in Turkey, focuses on the concepts of urban, body and image by considering Modern and Contemporary Art produced in this geography in the axis of both collections.

Art is the Highest Form of Hope exhibition can be seen at the Evliyagil Museum from Thursday to Sunday between 15.10.2022 and 16.07.2023.

 

 

 

 

 

*Gerhard Richter, Text Writings, Interviews and Letters 1961-2007 Thames & Hudson, 2009, p.121

Curator: Beral Madra

Artists: Adnan Çoker, Ahmet Doğu İpek, Alaettin Aksoy, Ali Elmacı, Altan Gürman, ANSEN, Ardan Özmenoğlu, Avni Arbaş, Bedri Baykam, Bedri Rahmi Eyüboğlu, Burcu Perçin, Burhan Doğançay, Can Akgümüş, Deniz Aktaş, Eren Eyüboğlu, Erol Akyavaş, F. Murat İrtem, Fahrelnissa Zeid, Feyhaman Duran, Fikret Mualla, Fırat Engin, Gülşah Bayraktar, Gülsün Karamustafa, Günnur Özsoy, Hakkı Anlı, İbrahim Balaban, İnci Eviner, Kemal Seyhan, Komet, Mehmet Güleryüz, Mithat Şen, Mübin Orhon, Murat Akagündüz, Murat Germen, Murat Morova, Mustafa Horasan, Nejad Melih Devrim, Nejat Satı, Neş’e Erdok, Ömer Uluç, Osman Dinç, Roland Topor, Seçkin Pirim, Selim Cebeci, Selim Turan, Selma Gürbüz, SENA, Seyhun Topuz, TUNCA, Yüksel Arslan, Yuşa Yalçıntaş

 

Supported by

Sarp Evliyagil Collection

The pieces in the Sarp Evliyagil Collection were first seen in the collection exhibition “Menzil” by M1886 gallery between May 24 – August 24, 2013. As Menzil’s name suggests, it must be seen as a moment of respite in the story and evolution of Evliyagil’s own art world. The exhibition took the works in Sarp Evliyagil’s collection down from under the lights of his family house and family company and placed them outside, under the spotlight and critical views; leading to another viewing, at a remove from the personal memories they conjured up, and a weighing-up of their merits. After this stage, the journey would speed up and the paths would shorten.

Three years after Menzil, the collection, now enhanced for the opening of the Evliyagil Museum, has been collected in the form of a book independent from the museum’s first exhibition “Anakara”. This book can be seen as the second stop on the journey of the works belonging to Sarp Evliyagil, which are dotted across the world’s museums, gallery exhibitions, artistic workshops, and of course the walls of his home. All these works have been brought together in order that others can add or be added to their journey. Hence, this is just the first page of both Evliyagil’s enormous atlas of history and an endless travelogue.

Evliyagil Museum

When we consider how collectors’ works are bought from exhibitions at galleries that last a few weeks, from fairs that last a few days, or from auctions in which everything is decided in a few minutes, we may become uncomfortable at how many works are spirited away after insufficient inspection to “private” spaces.

Sarp Evliyagil wanted to open his collection to everyone wishing to see these “unseeable” works, or, in other words, to “museumize” it.

Evliyagil Museum allows this public viewing through temporary exhibitions with different focuses from works selected among hundreds collected by Chairman of the Board of Ajanstürk Sarp Evliyagil, including, due to his occupational interests, many original series of prints, plus the enormous statues which set the collection apart.

Evliyagil Museum was conceived in 2008, and from its construction in 2014-2015 in “center far from the center” İncek, it has enriched art in Ankara with a three-floor 750 m2 exhibition area, statue garden, screening room and library.

Visiting Information

Evliyagil Museum

Şevket Evliyagil Sokak No: 1
İncek / Ankara / Turkey

t +90 312 460 11 06
info@muzeevliyagil.com

Visiting days and hours:
Friday to Sunday
11.00 - 17.00

Admission is free.

Media Sponsor